overground scene


Neocaesar – 11:11

Although this is not a music reviews blog, every once in a while a new album comes out that gives me so much pleasure that I feel the duty to mobilise the limited resources in my possession to promote it. Neocaesar‘s debut album, titled 11:11, is one of those albums. 11:11 marks the return of one of death metal’s finest duets, Bart van Wallenberg and Mike van Mastrigt. This constellation’s finest achievement has been Sinister‘s Hate (1995), a masterpiece of unique death metal. Although Bart and Mike are also partially responsible for another masterpiece, Sinister’s Diabolical summoning (1993), it is Hate that showcases Bart’s song-writing style in all its splendour (Diabolic summoning is primarily Andre Tolhuisen’s brainchild – read more here). Completing the line-up of Neocaesar are Erik de Windt, who sang on Sinister’s monumental  Aggressive measures (1998), and Michel Alderliefsten, who played bass on Sinister’s Bastard saints (1996).

I cannot overstate how happy this release has made me. Neocaesar’s debut is an album that takes the listener back to Sinister’s golden era. Listening to this album feels like listening to a classic death metal album from the past. It contains eight astounding songs plus two dark instrumental pieces. It is hard to decipher what makes 11:11 such a fantastic album. Mike’s vocal delivery is one of a kind, and the vocal patterns he’s come up with are extremely catchy. Bart is sensitive to composing songs with a narrative rather than riffs awkwardly glued together. He also knows how to change the mood of a riff by adding layers to it. In most cases this in not even a complicated approach, but it is so skillfully done that it’s astonishing. One good example of this can be found in the middle of “Invocation of the watcher” where the main partially palm-muted frantic razor-sharp riff – whose role in the rest of the song is to induce intensity – is complemented by an accented tremolo-picked three note progression to create a more eerie atmosphere. “Victims of deception”, a song about child abuse by the christian clergy (thematically I sense an affinity to “Bastard saints“), has to be the most infectious song of the year; one awesome riff after the other, great performance by Mike, and great drums written by Erik. “Sworn to hate” is a dark, atmospheric track, reminiscent of the respective turn of Sinister after Bart took over musically (between 1995 and 2001). The beginning of this song is another great example of Bart’s beautiful orchestrations. Each song is so well-made that trying to identify highlights is meaningless; this album is unique and perfect from beginning to end. Note the awesome Slayer-ish “Criminally insane” section  halfway through on “Valhalla rising”. Old Sinister fans will notice the lyrical reference to “Art of the damned” on “From hell”. Mike’s raging delivery during the last 30 seconds of “Angelic carnage” (as well as earlier on in the song) brought forth memories of his delivery on the ending of “Embodiment of chaos“. “Blood of the Nephilim” closes the album in a majestic manner, its opening slightly reminiscent of the opening of “Sense of demise”.

If you grew up listening to early 1990s brutal death metal, Neocaesar will blow your mind. If you find contemporary death metal soulless, over-polished, and generic, then Neocaesar will restore your faith in death metal’s ability to surprise and send chills down your spine. If you can afford to buy only one album in 2017 then this album should be Neocaesar’s 11:11.

p.s. Support the band by buying their merchandise and music here.

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[…] Neocaesar’s debut is the undisputed album of the year. I cannot overstate how happy this release has made me. Neocaesar is a band composed of four ex-Sinister members. These are not any ex-Sinister members though. We’re talking about Mike, the absolute death metal vocalist who contributed some of the most breathtaking performances in three classic albums (Cross the Styx (1992), Diabolical summoning (1993), Hate (1995)), Bart, one of the absolute composers, who wrote unprecedented masterpieces for four classic albums (Diabolical summoning (1993), Hate (1995), Aggressive measures (1998), Creative killings (2000)), Erik, who sang on the magnificent Aggressive measures (1998), and Michel, who played bass on the classic Bastard saints E.P. (1996). Here, Erik plays the drums, and he is an absolute beast at that too! This album is unique and perfect from beginning to end. It contains eight astounding songs plus two dark instrumental pieces. The introductory instrumental song is dark and brooding; such a classy way to start an awesome album! Each song is craftily put together. Amazing melodies, spell-binding riffs, and infernal vocals by a truly genius vocalist. Bart moves within chord progressions that make every riff sound evil and monumental, and he has never strayed from this approach throughout his career. The way he combines different riffing techniques is also amazing; palm-muting, triplets, tremolo-picking, accented dissonant chords, are craftily used, each riff a genius combination of different techniques, to articulate unique sounding musical sentences. The production is awesome, the guitar and bass tones are fantastic, the drum sound is real (and, as opposed to Erik’s work with Warfather, his drumming here is fantastic and much more focused), and the contributions of all band members are equally audible. THIS is death metal. For a more detailed review of the album, please read this. […]

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