overground scene


Guilty displeasures

There are bands and albums that are widely considered embarrassing in specific subcultural fields, making the music fan of such bands and albums inherit their embarrassing quality within those fields. I would imagine that the more senior one gets in any given fan-subculture and, accordingly, more confident in their fan-credentials, the easier it gets to admit those guilty pleasures. For example, it would be quite hard for a young metalhead to openly admit among his or her peers that he or she likes St Anger by Metallica, or Illud divinum insanus by Morbid Angel. Similarly, it would be hard for a young death-metal fan participating in a Facebook Old-School Death Metal group to express his or her admiration of Children of Bodom or Insomnium.

In a similar fashion, there are bands and albums that have achieved legendary status, to such an extent that is embarrassing for fans to admit that they haven’t listened to them (guilty omissions), or that they dislike them. The latter are guilty displeasures; distastes that would be embarrassing to admit within a specific subcultural field. In this post I will talk about two of my guilty displeasures; records considered legendary that I don’t like, and whose extraordinary status has pushed me to make an extra effort to try to like them, to no avail.

emper1. Emperor – In the Nightside Eclipse (1994)

An album I wouldn’t easily admit in public that I disliked – in the past – was Emperor’s debut. I listened to it back in the late 1990s and I have tried to listen to it again a few times since. I have always had the same reaction after listening to it: what is the big deal?! I have always found it long-winded, boring, and the vocals pissed me off. With the exception of some riffs and arrangements in the beginning of each song, I found the rest of the music unexciting. I still think that the vocal patterns are completely boring. I do get that it probably was an innovative album whose majestic and symphonic character influenced the genre a lot, but I cannot for the life of me listen to it back to back. An album that I did love and still like today by Emperor was their final one.

peacesells2. Megadeth – Peace Sells…But Who’s Buying (1986)

Megadeth’s second album is an album that have always eluded me. I bought it back in 1995, right after I bought Megadeth’s absolute masterpiece titled Rust in peace (1990). After a few listens, however, I got rid of it. That was difficult to do, because I loved the album cover. I listened to it again after a few years and I again failed to be impressed by it. I thought that Mustaine’s voice was annoying, and that the songs were boring. A few years ago I listened to it again and I did discover some things that I like. Some of the arrangements are pretty cool, and I can appreciate that they were probably quite impressive at the time the album was released, and I like a few songs, like “My last words” and “Black Friday”. I still think that it lacks the catchy riffs, hooks, choruses, and melodies that make RIP such an important album, and the intensity and riffs of their debut. Moreover, did Megadeth really take the genre much farther musically than Mercyful Fate and Satan had by that time? I doubt it. So, even today I wouldn’t go as far as to say that I particularly like it.

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