overground scene


Is this where I came from? #9 Running Wild and Unleashed

For the 9th installment of the “Is this where I came from?” series of posts I decided to revisit Unleashed, one of my all-time favourite death metal bands. In the first installment of this series of posts I demonstrated how Unleashed were influenced by Black Sabbath to compose one of their absolute masterpieces, namely “Shadows in the deep”. But, lets face it, who hasn’t been influenced by Black Sabbath? In this post I argue that Fredrik Folkare, Unleashed’s main composer since Hell’s unleashed (2002), was influenced by Running Wild, one of the pioneers of German heavy/power metal.

running-wild6Running Wild – Beggar’s night (1987)

Running Wild is a band I never got into, even though I was exposed to them during my formative heavy metal years – at the same time I fell in love with other power metal bands such as Rage, Helloween, Scanner, and Gamma Ray. My favourite album from them is probably Death or glory (1989), and I never really listen to any of their other albums. However, over the years I have come to appreciate the influence their heavy tremolo-picked riffs and epic attitude might have had on the emerging death metal scene of the late 1980s. “Beggar’s night” is a song off the Under jolly roger album released in 1987. The intro riff is patterned around slow tremolo picking. It starts with open string picking on the high E string. The two other notes that are being repeated throughout the riff-pattern are C and B on the 8th and 7th frets on the same string. Each one of the two sections of the riff has a slightly different ending. After the riff is played once, the power chords come in on top of it, following an E, G, A, G, F#, E progression, giving the song an epic feel.

unleashedwackenUnleashed – Winterland (2004)

Unleashed’s Sworn allegiance album starts majestically with this song written by Fredrik Folkare. The opening riff of this song, which re-appears on the chorus, is very impressive, and it is reminiscent of the opening riff of “Beggar’s night”. There are clear differences between the two riffs, but there are also some obvious similarities. Just like in the case of “Beggar’s night”, “Winterland” involves slow tremolo picking on an open string. In this case it starts with open string picking on the G string. The other two main notes in the first section of the riff-pattern are again on the 8th and 7th frets of the same string, in this case E flat and D. The chord progression played on top of this riff is G, A, A#, F#, A, A#, G, in a similar way as in “Beggar’s night”. When the drums come in, however, the same chord progression is played differently as the power chords give way to tremolo-picked individual notes, giving the backing riff a more “death metal feel”.

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