overground scene

Whatever happened to Lars?

Lars Rosenberg has been part of some of Sweden’s most important bands. However, since his stint with a couple of small rock bands in the early 2000s his whereabouts are unknown to me and information available on the internet fails to shed light to what has become of this great musician.


From left to right, Piotr, Christopher and Lars as seen on the inlay of For the security.

Lars was a founding member of Carbonized, one of Sweden’s seminal brutal death metal bands. He composed music and played the bass in Carbonized’s demos, singles and all three albums. On the first album (For the security, 1991) he played bass, sang and composed most of the music. For the security is a fine example of brutal, grinding Swedish death metal. Lars’s vocals are more shouted and aggressive – something along the lines of Andersson’s vocals on Clandestine – compared to Christopher Johnsson’s super brutal vocals who also sings on the album. What sets this album apart from its contemporaries is the more prevalent grind elements (check out “For the security”, “Recarbonized” and “Hypnotic aim”, among others) and the use of dissonant melodies and weird rhythms (check out “Euthanasia”, “Purified” and “Third eye”). On their second album (Disharmonization, 1993) Carbonized went down a more experimental direction reminiscent of Celtic Frost’s change of character from To mega therion (1985) to Into the pandemonium (1987). Most songs are a big departure from death metal incorporating jazz fusion and progressive rock. Lars’s shouted vocals fit the music perfectly on that album, which is much more twisted, varied and dissonant compared to their debut. Still, death metal is represented in devastating songs like “The voice of the slained pig”, “Nigh shadows” and “Succubus”. On their third album (Screaming machines, 1995) their sound went towards a totally cacophonous mix of jazz fusion and industrial (“Fist” is probably the most conventional song on this album). A quite insane offering that showcases Lars’s varied contribution to extreme music.


Lars, on the left, together with Aad and Ron.

In the early 1990s Lars also played with Aad and Ron from Sinister in the group Monastery, that only released some demos and two 7inch records (click here for their brutal e.p. The process – church of the final judgement). Sonically they are pretty unrefined and devastating, something between early Napalm Death and Sinister. Both Lars and Ron sing, and Lars’s vocals are particularly reminiscent of Lee Dorian of Napalm Death.


Lars on the front, among the rest of Entombed, looking cool.

As the bass player of Entombed Lars contributed to two cornerstones of Swedish death, namely Clandestine (1991) and Wolverine blues (1993). On the former he co-wrote the music on the mysterious “Evilyn” and the hardcore-charged “Blessed be“, while on Wolverine he was the primary composer of the nowadays cult “Out of hand” and “Blood song“.

In Therion, Lars played alongside his band-mates from Carbonized (Piotr and Christopher) in the album Theli (1996). The latter was an album that took further the experimental/symphonic elements present on Symphony masses (1993) and Lepaca Kliffoth (1995), elements under which Therion’s sound would be totally subsumed in the years to come.

In 1996, Lars played the bass in the debut album of the doom metal band, in the vein of Candlemass, Serpent (Piotr Wawrzeniuk, his band-mate from Carbonized and Therion was also in the band). Listen to the song “Stoned the dawn” off this album here. A year later he played in the debut album of the Argentinian death metal band Mental Distortion.

According to the Encyclopaedia Metallum, Lars’s last known band was the stoner metal ensemble Roachpowder, on whose second album he played the bass (listen to “No reason” off this album). Lars’s movement away from death metal towards more conventional heavy rock music was consistent with many of his contemporaries, including Michael Amott (originally of Carnage and Carcass and then in Spiritual Beggars), Nicke Andersson (originally of Entombed and then in The Hellacopters), Fredrik Lindgren (originally of Unleashed and then in Terra Firma), and more recently Peter Stjarnvind (originally of Merciless and Entombed and more recently in Black Trip) and Fred Estby and David Blomqvist (originally of Dismember and now in The Dagger). The whereabouts of this great musician today are unknown to me.

5 Comments so far
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Here is the profile on Facebook for Lars Rosenberg: https://www.facebook.com/lars.rosenberg.52

I’m not friends with him, but I’m sure this is his account. He’s friends with LG (Entombed) and so am I. You can try contacting him with your questions. 🙂

Comment by Christ Painkiller

Thanks 🙂 Yep, that looks like him! I’m not sure about contacting him though, his page looks quite private so maybe he doesn’t appreciate fans contacting him…

Comment by lentil81

I had some mail contact with the guy maybe 12 years ago or, had no issues talking to a fan. Worth a try at least.

Comment by KI666

Good to know, thanx! Yeah, maybe it’s worth giving it a go 🙂

Comment by lentil81

Carbonized – For the security album is being reissued by Vic Records, so theres further reason to give it a go.

Comment by KI666

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