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Now I sleep, the city weeps, hush: monumental song endings

One of the characteristics of old school death metal is that it is dramatic. It is a captivating type of music that commands the full attention of the listener. Old school death metal was never meant to be background music. It is full of twists and turns and every song has a rich narrative music-wise, independently of the lyrical content. Because most songs are complex musical stories, at any point of the song something new and interesting is bound to happen.

I think that in popular music performers are aiming to capture an audience with the opening notes of a song. In this post I will focus on the very last few seconds of songs. I will present songs that manage to excite me not with their intro, their chorus or an impressive guitar solo, but with their ending. This post will be an open one, meaning that every time I think of another song with a brilliant ending I will add it to the list. In this first version of the post I present five brilliant death metal songs, and I also throw in an awesome thrash song which would be a crime to ignore.

1. Benediction – Jumping at shadows

benedictionBenediction’s unholy trinity, namely The grand leveler (1991) – Transcend the Rubicon(1993) – The dreams you dread (1995), will always be among my all time favourite albums. From the beginning what set Benediction apart from their peers was the swampy, claustrophobic atmosphere, laden with murderous intent. Their obsession with serial killers combined with the murky musicality produced a chilling effect in all these releases. “Jumping at shadows” in paradigmatic of the terrifying atmosphere that only Benediction are capable of producing. The song describes the activities of David Berkowitz, a serial killer in the US who coined for himself the title “Son of Sam”, and the lyrics themselves have been paraphrased from letters sent by Berkowitz. The ending of the song sends chills down my spine: “now I sleep…the city weeps…hush”.

2. Suffocation – Surgery of impalement

Suffocation1Only a few bands can make one want to jump out of their body, and Suffocation is definitely one of them. Suffocation defined heaviness and brutality with their first album, an album that inadvertently paved the way for brutal music, with its razor-sharp triplet riffs, monolithic breakdowns and deep guttural vocals. Suffocation took a break for a few years after 1998 and returned in 2004 with a beast of an album titled Souls to deny. It is an offering that, in my ears, competes with any of their old albums for the title of the best Suffocation album. “Surgery of impalement” comes from this monumental comeback album. Its ending is pure brutality.

3. Carcass – Cadaver pouch conveyor system

Carcass-BandIt takes a unique musical chemistry to manage to offer something awesome after having already contributed some of the most innovative and genre-defining music in the world. Carcass did that with their comeback album Surgical steel (2013). If there’s one thing missing from contemporary brutal death metal is the sense of groove, not only in riffing but also in singing. Contemporary brutal death bands might be able to play a thousand notes per minute but the lack in ability – or are not interested – in composing clever musical phrases and rhythms that can hook the listener. The main riff of this song, the drum beat, Jeff’s performance and the perfectly applied guttural vocals – courtesy of Bill Steer – at the end of this song manage to do exactly that.

4. Kataklysm – Exode of evils

k3Sylvain Houde will always be one of the most creative singers that have ever passed through the infernal gates of death metal. Only a few singers have sung with such passion. Sylvain’s passion denotes an insanity which does not come across as fake, as a gimmick of death metal conventions. His insanity is 100% credible! Temple of knowledge (1996) is a monumental, absolutely unique album. Sylvain’s insane performance grants it uniqueness. In the end of “Exode of evils” the listener that has survived the relentless attack finds themselves faced with an infernal chant that can only mean that the worst is yet to come.

5. Malevolent Creation – Monster

retributRetribution has always been my favourite Malevolent Creation album and one of my favorite death metal albums from the US. The chemistry in this album, and especially the presence of the impeccable Alex Marquez, is unmatched and the band is on fire offering some of the most aggressive death metal ever recorded. Special reference should be made to the unique Scott Burns who applied his magic to this recording and brought the best out of the band. “Monster”, from beginning to end, is pure violence.

6. Slayer – Beauty through order

slayer-pr2-smallIn their heyday, Slayer have still been capable of producing earth-shattering musical attacks. World painted blood is an excellent album and a sad example of how a bad producer can fuck up awesome music. “Beauty through order”, my favourite song off this album, showcases an amazing chemistry that unfortunately will never be captured again; Jeff’s compositional prowess, Araya’s manic vocal performance and Lombardo’s genius drumming (here placing in the most appropriately genius way a devastating double bass drum attack) create one of the best endings I have heard in my life!

 

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