overground scene


1 Year anniversary and answers to our most “not-so-clever” questions!

It’s been one year since I started this blog. My primary expectation, i.e. to engage in dialogue with people interested in the same music as me, has not been really fulfilled. There has been some discussion a few times but nothing even close to a dialogue. I don’t think that the internet and bloging are inhibiting dialogue. After all if one looks at the comments under videos in youtube, they will be surprised by how many timeless discussions are going on and on. However, these do not really constitute dialogue since rarely people have arguments. These discussions are usually between people who like the song/band in question and those who don’t like it. That’s it. And I guess that the limited talkativeness in here makes sense, because the mainstream music community has traditionally being reluctant to discuss. It is easier to insult, or to praise without thinking or without exploring some of the discourses around pop culture. Nevertheless, I have really enjoyed posting this year because, even if sometimes these words fall upon deaf ears, it makes me feel creative and it allows me to organise my ideas around music.  Below are some of the funniest terms that people searched and were led to my blog. Now I give them the answer they were looking for:

1. ”composing punk” or a similar search ”how to compose punk”.

Actually there have been more than ten similar searches! What are people thinking?! If you cannot figure it out yourself how to compose punk, then really don’t bother…

2. ”pictures little hardcore”

Someone who wanted to see some porn but did not even admit it to themselves (or the internet)…

3. ”black metal album 10  songs”

I hope you found what you were looking for.

4. ”Nicke Andersson without hat”.

A lot of people have searched that!!! If you are so interested you can look at the back cover of the Left Hand Path album, the inlay of Clandestine, other promotional photos during the Clandestine era, some early Hellacopters photos… Also Paying the Dues is a gatefold vinyl and inside there is a huge photo were you can see his forehead and his nipples for that matter, since he does not wear a t-shirt. I don’t want to imagine why you want them for…

5. ”what to listen to when you’ve been cheated”.

Are you actually asking the internet? The internet is not a person! Anyway, again you are missing the point. These things come naturally! No one is supposed to tell you what to listen to when your boyfriend/girlfriend cheated on you. For example, when you were still together with your partner and you had a common favourite song, or the song you were listening to when you first made out, etc. then these are the songs you may want to turn to! But in any case, if you want guiding I guess I can propose a couple of songs, like ”don’t cry” by Guns n’ Roses, or ‘’summer’s rain” by Savatage, or ”In the Dream” by Savatage. Now if you are angry you can listen to ”you broke my heart so I broke your face” by Wehrmacht.



summer purchases, music and paradise lost
June 16, 2009, 6:44 pm
Filed under: death metal, people, popular music

Spring and early summer are shopping seasons for many reasons. First of all, it rhymes. Secondly, many bands (record companies) choose to release their albums at that time each year. Thirdly, the change in the weather makes me feel more artistic and less stressed than the autumn or winter. So it’s time for new music! The last month I bought the new Brutal Truth album which is awesome and the Heaven and Hell album. The latter is much better than I thought it would be. Its sound is HUGE and the riffs and orchestration are massive. I would say that it is a fusion of the Dehumanizer album, with the Strange Highways album and bits and pieces from the Born Again (like Zero the Hero) and Headless Cross (like Devil & Daughter) periods.  Bible Black is among the best songs Sabbath have ever recorded. Most of the other songs are awesome with personal favourites, Breaking into Heaven (riff that reminds of Shame on the night, but awesome chorus!), Eating the cannibals (awesome riffs by Iommi and trademark solos), Atom and Evil, Follow the tears, The turn of the screw.

However this post is about the purchase of Paradise Lost’s DVD from 2007, titled “Over the Madness”. This band is among the few most important bands of the 90s. Even though my favourite bands are death metal bands, still if I had to pick the most important and Best bands I would have to choose Paradise Lost. The other band I would have to choose would be Rage! But I save another post for them.

Paradise Lost have released one of the best death metal albums of all time. GOTHIC! This album is one of those albums we used to listen with friends and wonder how the hell they came up with all these melodies in each and every song. Of course, the achievement of Paradise Lost with this album is not that they managed to put together perfect melodies but the amazing coherence of the songs (something which I think is missing from the Shades of God album). Songs are organic entities, which seem to be born, grow and die. There is something extremely alive about these songs. When each song starts something completely new begins. As it continues you can sense its evolution. There are choruses which represent the ‘average’ sentiment of the song and there are magnificent highs (bridges or solos) which represent  important events in the song’s life. How else can one interpret the melody right after the chorus on The Painless? Finally it’s the end, where the songs pass on. Certainly my all time favourite Paradise Lost album. I could spend hours talking about all the other Paradise Lost albums. But  I won’t. Instead, I will refer to the people behind the band which I got to know a little bit through their documentary.

It is really fulfilling to see that people that you admire without knowing them, are good people.  I would rather never find out about the personal lives of most of the bands I love, because there is a big chance they are assholes.  For example, in this DVD, Greg (the band’s main composer) mentions an incident from a tour with Morbid Angel, when the singer of Morbid angel stated that he is in favour of ethnic cleansing. There you go. How am I supposed to listen to them again knowing this? However, the guys from Paradise Lost seem to be the best people in the world. Aaron (the guitarist) is a realy nice and sentimental person. What has striken me most was that he is a honest fan of his own band. He mentions at some point that he gets very emotional when he listens to the solo of Forever Failure! Of course, who doesn’t? But hearing that the musicians themselves appreciate the grandeur of their own creation is really nice!

Greg again, who is the mastermind behind at least 2/3 of the magnificence of Paradise Lost, is an amazing person. Very serious, humble and obviously bright, he is a model leader. I was surprised to hear him say that the album “believe in nothing” means nothing to him and was a compromise, because it also means nothing to me. It is clearly the worst P.L. album, although I like songs such as “divided” , “never again” or “sell it to the world”.  He looks back at the history of the band and the early years with humility and pinpoints the pivotal points in the band’s history from his point of view. Someone might expect that these would be the monumental Draconian Times album, or Icon. Greg though, values more albums like One Second, Host, and sees As I Die as the turning point for the band’s sound.

Nick (the singer) feels less comfortable in from of the camera and he shares fewer things with the public. Matt (original drummer) is delightful, nostalgic and a really good narrator of the band’s early years. I think that his drumming has been definitive for the development of Paradise Lost’s sound and since he left I ‘ve been missing it.

I am really looking forward to the new Paradise Lost album, which is being recorded as we speak. I am very curious to see what they have come up with after 3 masterpieces (Symbol of Life, Paradise Lost, In Requiem).



No more “Gentle Lies”!
May 4, 2009, 3:12 pm
Filed under: death metal | Tags: ,

Even though Napalm Death is the best band in the world, I have to admit that they sound like ABBA next to Brutal Truth. Brutal Truth just released a new album after 12 years. Even though I got a bit tired of them after the incredible “Need to control”, I am very excited about their new album (Evolution through Revolution, its title). It sounds exactly like “Kill trend suicide” and “Sounds of the animal kingdom” but I have missed them a lot and I really enjoyed and appreciated their honest and extremely intense music. Some of the things they have been doing for almost two decades have been copied by hundreds of bands nowadays, but naturally they are not even close to the original. I remember 12 or 13 years ago when I first listened to “Extreme conditions…” and to songs like “Stench of prophet“. I instantly lost a couple of years of my life, some of my hair and I could not recover for weeks. Good times.



swedish death metal through the eyes of a swedish death metaler #2

I think that the book should be called “my personal opinions about SWEDISH DEATH METAL according to which entombed are gods and all other bands are copycats and I don’t even bother give the benefit of a doubt” by Daniel Ekeroth!

I have to admit that I was blown away by the first part of the book! I found out so many awesome things about the early swedish death metal scene (see previous post). But after that, I keep getting more and more pissed off! The author speaks about bands and albums with an authority that is unacceptable.

First of all, he informs as that Comecon is a shitty, uninspired band. I can interpret this as follows: either 1. he is deaf, 2. or he does not like punk, 3. or he has never read the lyrics, 4. or he read the lyrics and he felt uncomfortable (because all comecon albums have the best lyrics ever!), 5. or he bought the record and there was a mix up and instead of a Comecon copy there was a Europe copy. Comecon is a serious, godly, innovative band that had a unique attitude inside the swedish death metal scene. I also think that the author frowns upon the fact that this band was not comprised of a bunch of delinquent imbeciles, like almost all other death metal bands.

Secondly, JOHNNY’S VOCALS ARE WEAK!!!??? I am sorry but I think most people would say that Johnny (Unleashed) has got monumentally aggressive and brutal vocals! Also, the author says that he did not like the slow parts in shadows in the deep! Songs like “Immortals” and “Shadows in the deep” are among the best songs ever written. The atmosphere, the austerity, the passion in these song are unbelievable! Of course, it is plausible that taste in music varies. However, I don’t think it is proper to express your opinion as if it is an undisputed fact.

Thirdly, Cemetary’s first album is a copy of the awesome “Astral sleep” (and maybe summerian cry). How can someone not notice this? It is crystal clear! There are songs and parts inside songs, that have been directly lifted off Astral sleep.  (”Nightmare lake” = 100% TIAMAT!). Also, in the case of Tiamat again, it would be better if the author said things about the history of things and not pass judgements on people’s creations! Astral Sleep and Clouds = masterpieces!Edlund might have a different opinion on his creation, but in any case, it is his creation and it is possibly associated with other unfortunate events!

Now for something that really tore me apart. My second all time favorite album af all times (behind Indecent and Obscene by Dismember) is Clandestine by Entombed. In this book, I discovered that the author does not like it that much. But that is ok. Anyway I am not interested in his opinions on bands, just his stories. The strange thing is that obviously the members of Entombed who have been interviewed for this book (Uffe and Nicke) , they also think that this album sucks!!! Even better, they all agree that the vocals suck! How is that possible? I always considered the vocals in Clandestine as one of the biggest assets of this album! Each time I listen to this album, I feel like I am in another world! I seriously escape reality and get high on the music. If I had only one wish to make (in regards to music) I WOULD WISH FOR NICKE TO SING AGAIN IN DEATH BREATH WITH THESE AWESOME VOCALS! And who are we kidding?! Scot’s vocals in songs like “Christ all fuckin mighty” (Death Breath) are quite similar to the vocals in Clandestine. I don’t think anyone has a problem with his vocals! So why with the vocals in Clandestine? I really need some help here!

to be continued…



Swedish death metal through the eyes of a swedish death metaler

I recently bought the “Swedish Death Metal” book by Daniel Ekeroth. When I read the introduction I was sure that I would read non-stop and finish it within a day. But,  for the pleassure to last longer, I resisted this initial urge . So, now it’s been 5 days and I have only read the first 130 pages.

This moment that I write this post I am in fact listening to swedish death metal. I am listening to Evocation’s  ‘Tales from the tomb’, which stinks of Entombed (Left hand path era) but you can also hear early At the Gates melodies here and there. Swedish death metal! Such a huge part of my life. All the memories and all the new feelings even today, make this scene a part of me. So far, whatever I know about the scene was contextualised by bands’ thanx lists, biographies in records (e.g. like the “Death is just the beginning” compilations), interviews in magazines, zines like the ancient ‘Slayer’ zine (this zine was GOD), and so on. Hence, I have a quite fragmented picture of the early years. Now I get the chance to find out stuff about the scene before it went mainstream.

The first chapters of Ekeroth’s book guided me through the unknown lives of early death metalers in Sweden, their relationship with underground punk, the thoughts and reactions to the emerging death and black metal scene in which all my heroes were nurtured. It was really funny to find out about the relationship between Johnny (Nihilist/Unleashed) and Nicke (Nihilist/Entombed). It is apparent than even to this day they still don’t have much respect for each other. I think that this is normal. I think that both Johnny and Nicke are powerful personalities. They need to dominate, and that is why it would be impossible to share a band! The same thing applies to Fred (Carnage/Dismember). He is a powerful personality and I think it would be impossible to co-exist inside a band with either one of the other two guys. However, I always thought of Dismember as a really democratic band in relation to all others. All band members contributed and especially in the past, everyone in the band was a very creative and active individual. That is one more reason why I respect Dismember so much.

Other awesome things I have discovered so far from this awesome book, include that Petrov (Morbid/Nihilist/Entombed/Comecon) and Cederlund (Morbid/Nihilist/Entombed/Disfear) play in the “Morbid” cd that I have and I didn’t even know! Also, I like the fact that Lindberg (Grotesque/At the gates/…/Disfear), started as a punk and now he is a punk again with the awesome Disfear! Also, there are so many interesting testimonials from scene protagonists (Ekeroth should pay Anders from Unleashed a share of the book’s earnings, seriously) and awesome pictures! I am really looking forward on getting on with the rest of the book…

Now, for some objections:

1. It is crystal clear that Ekeroth is a huge Entombed, and Nicke Andersson in specific, fan. He says so somewhere in the book himself. It is obvious that he was convinced that swedish death metal bands owe everything to Entombed and Nicke, regardless of what his research would tell him. At some point, Ola from Grave told him that they were all heavily into Carcass, and that explains their heavier turn on their second demo tape. However, Ekeroth interprets this heavier turn as the result of the Stocholm influence (at that time, the Nicke influence!). I think that in his willingness to crown Nicke the King of swedish death metal, he overlooks other important factors. It makes sense to me that the reason why bands like Entombed, Dismember, Grave, Afflicted (especially on their first album) sound similar, is because they had similar influences. It is ridiculous not to admit that “Evil dead” from the first Death album, has an intro which is the blueprint for swedish death metal! Early Autopsy as well! The beginning of “Left hand path”, the undisputed monument of swedish death metal, is 100% Bathory, especially the guitar solo! Dismember have recorded only two covers in all their career, “Beyond the unholly grave“  by Death and “Pagan saviour” by Autopsy, and I think that says it all in terms of what they fancied and what they copied! Further, in almost all testimonials within the book, from all kinds of different people, the “guys from nihilist and dismember” (or Nicke and Fred) are always acknowledged together! It therefore makes sense for people who spent so much time together, to share musical ideas and sound similar.

2. Ekeroth’s attempts to flatter Nicke produce some really misleading and unfair conlusions. For instance, at some point he says that Fred (dismember) copies Nicke’s drum playing. That is ridiculous. Nicke cannot stand still one moment!!! He changes rhythms all the time and does all kinds of different breaks and, seriously, many times he is very hard to follow, if you are an inexperienced drummer! He is a technical drummer! Fred, on the contrary, is extremely steady, he does pretty brief and straightforward breaks and he has a specific range of breaks. He does the same 3-4 kinds of breaks the whole time! He has a 100% personal style, which shines through in records like “Indecent…” and “Massive…” in specific. Also, the part about Nicke influencing everyone with his unpublished zine! How is that possible?

3. Finally, even though Ekeroth provides extremely interesting insights in the early scene, I still have questions unanswered! For instance, on the inlay of Left hand path there’s a thank list. At some point, the band thanx Carnage and inside a parenthesis it says “Milli Vannili-Fred! Thanks for the riff mate!”. They obviously refer to Fred Estby, but which riff are they referring to? Trivia like this go unanswered, although I still have not got to the part about the first swedish death albums.

to be continued…



About vegeterianism, veganism, post-vegeterianism and Propagandhi
April 22, 2009, 12:58 pm
Filed under: gigs, people, punk | Tags: , , ,

I got to see Propagandhi performing live a couple of days ago. The concert was awesome, although I did not like the venue (Concorde 2 in Brighton). Also I did not expect to see so many people!

Propagandhi is one of the most innovative and inspired extreme bands ever. Their first album (i.e. How to clean everything) was a really powerful, energetic and innovative one, bringing together elements from different genres into a very unique blend. The second album (i.e. Less talk more rock) was an excellent album and the one in which Propagandhi found their identity. Even though it sounds pop in relation to the next albums, it still has elements ubiquitous in their career thenceforward. Lyricwise, they have some of the most thoughtfull, artistic and liberating lyrics ever, continuing the heavy legacy of bands like the Dead Kennedys. Their subsequent albums, (Today’s empires…, Potemkin…) instantly made them one of the most important bands of the 21st century (for me at least: you can see my opinion on the former in a previous post on the 15 best punk albums of north america). But canada always offered some of the most innovative and great music! Voivod, one of the pioneers of Thrash, succesfully incorporated punk elements in their music (even before Amebix!). Slaughter, one of the pioneers of death metal! More recent bands like Cryptopsy and Kataklysm (until the late 90ties) gave lessons of technical and extremely brutal death metal that noone had heard of before! When it comes to punk, suffice to say that the enormous “Subhumans” are from Canada (they released an excellent album a couple of years ago as well!), DOA, and more recent bands like the unique Ballast (a Canadian version of Post Regiment). Of course Nomeansno are from Canada, the most respectfull and awesome band ever!

Prpagandhi continue their legacy of awesome albums, with this year’s “supporting caste”. It goes down the path paved by potemkin and today’s empires. However, it is less monumental and epic in relation to potemkin. Like Today’s empires (and to less extent potemkin), it has 3 extremely brutal songs sung by (and probably written by) Tod. In the concert the other night, I was a bit disappointed he didn’t sing at all (this means, no fuck the border…). Anyway, the album is a masterpiece! I cannot choose favorite songs right now, but I can say that I have listened more to “This is your life”, “Without love”, “Incalculable effects“, “Dear coach’s corner” and “Supporting caste” .

In one of the songs (i.e. Humane meat), the topic of “post-vegeterianism” is being discussed. I didn’t know about it until I listened to the album. Apparently, it is a philosophy whereby after you come to realise that the circle of life unavoidably entails the taking of one life to support the other, then it is ok to eat meat! According to this view, even the cutting of a plant or of a fruit is murder, just like killing a cow! …

One thing at a time. About veganism. I think it is an over the top expectation to pass such a radical message about animal abuse like the one veganism tries to pass. It is very difficult to expect the human race to agree on animals frolicking around without offering something. Not that humans (and arguably men in particular!) ever offered something! They have only taken away. However, if we accept as the lower common denominator of human behaviour, the tendency to dominate and evolve on the cost of other beings, I personally can settle with a world where we use animals just for milk and eggs.

Two objections will be raised at this point: First, that animals still suffer by living in industrial unhealthy environments and by going through all sorts of chemical abuses in order to produce more. That is true, but at least they do not get murdered. Second, that even though animals may not be murdered they are still suffering throughout their lives. Fair enough. However, there are small organic farms that supposedly respect animals and they don’t mistreat them. I don’t say that I cannot live without cheese! It is just that I find it very radical and unreasonable, if we take human nature for granted.

Now, post-vegeterianism is plain silly. Yes, slaughtering a pig, listening to its screams, looking at its desperate eyes is the same as cutting a gabbage. Get a life!



deep down we’re sorry … but we can’t wait!
April 5, 2009, 9:17 pm
Filed under: Greece, people | Tags: , , , , ,

A short trip to greece is all it takes to convince me to try even harder to make it here (not greece). At the same time, it reminds me of the few but serious reasons why I will always miss it. These reasons don’t  have to do with the place itself actually. For one thing, is the family. Secondly, it’s the friends. It is true that making friends after a certain age is difficult, if not impossible. The thing with old friends is that most rituals and norms have been developed in parallel, over the course of many years. When you loose your friends, it is very unlikely that you’ll find someone new to do the same rituals. But humans are all about adaptation right? But still, even if you develop new rituals, you still get the feeling of melancholy (at best).

The first thing I yearned when in greece was to go to Athens for records with my friends. I got a re-issue of the Impetigo album ‘Horror of the zombies” which is excellent! I also got the second Agent Orange album (This is the voice) which kicks ass! I saw, after more than a year, all the slimy record store owners with their over-inflated prices and laughed and I saw a town packed with cops.

Most importantly, I spent each single night listening to music and consuming junk food with my friends. That is the single thing I miss most about greece. Hanging out and listening to music. Things that take me back to high school when music was everything that mattered. Though I don’t thing it ever stopped being for me. For these reunions, some records are “a must”. Wolverine Blues or Clandestine or anything swedish for that matter. Most of the time we don’t talk. We communicate with the eyes. We let the music do the talking. The music will say how much we have missed each other, how some things in life will survive despite the distance and manage to bloom inside the filth of the city.

Στην πίστα του αεροδρομίου έχει νυχτώσει

ένα εκατομμύριο αστέρια φωτίζουν οτι μ’ έχει πληγώσει

ένας φίλος μου απόψε εγκαταλείπει αυτή τη χώρα

κατα βάθος λυπάται μα δε βλέπει και την ώρα

που η ζωή του θα αλλάξει

όταν τ’  αεροπλάνα πετάνε, η γη απλώνεται και οι άνθρωποι ξεχνάνε …



What could she do? She should be a rock star…

I’ve been listening to Kate Bush only since 2007. From the first few months, though, she earned a place among my favorite artists. She is one of the artists I both adore and envy, because her compositions are so beyond me! I could never write songs like Kate Bush does! I have never heard of anyone else writing songs like she does. I surely have never listened to anyone singing like she does. I only have Bush’s five first albums, but I think that they are enough to write a small oblation for her.

The first album I listened to was “Never Forever” (1980). I primarily got drawn by the picture in the cover of the album. It is definetely one of the best covers ever. I am also sure that it is where Nicke Andersson borrowed the concept for the first “Death Breath” album. I was familiar with the song ‘Babooshka’. However, when I carefully listened to it I realised that it resembled a lot one song from Dream Theater’s ‘Images and Words’ album. The song was ‘wait for sleep’, writen by Kevin Moore. I only like this album from dream theater, and from other albums I only liked the songs Moore had written. However, to my surprise I realised that the style of Moore is similar to that of Bush. I don’t know whether he copies Bush or anything, I just point out the resemblance. The song that amazed me was ‘Army Dreamers’, because of Bush’s beautiful singing, the orchestration, the lyrics and the amazing chorus.

The second album I bought from Bush was her first one (i.e. The kick inside, 1978). An amazing album written when Bush was a teenager(!), contains some of the best songs ever. Inspired compositions and dreaming melodies like ‘moving, ‘the saxophone song’, ‘wuthering heights‘ and more rock oriented songs like ‘James and the cold Gun’ or ‘Kite’. From the fabulous opening track, one comes across Bush’s extremely flexible voice, weaving its way through the complex theatrical melody. Throughout this album, strange and unconventional melodies render the listener unable to grasp its beauty with the first hearing. On the contrary, it requires attention and intentness.

Next, I bought ‘The Hounds of Love’, considered by many as her best album. It has a more pop production and is less complex than her previous works. However, it contains some phenomenal songs such as ‘Cloudbusting’, ‘Running up that hill‘,  ‘Mother stands for comfort, and so on’. The second side of the album has a different style than the first one, a more instrumental and theatrical one. A greek composer has stolen one of the melodies off the song ‘Cloudbusting‘. The song is “moira mou egines” sung by Andrianna Mpampali, and you can check the resemblance yourselves here.

The other two albums, ‘Lionheart’ (1978) and the weird and wicked ‘The Dreaming’ (1982), are the ones I have listened to less. Unfortunatelly, due to my superficial relationship with pop music, I have no idea to what extent she has influenced her peers, or any female artists who continued her legacy.



… (see date of post)
February 14, 2009, 2:54 pm
Filed under: Uncategorized | Tags: , , ,



A few sparks inside a dying scene: Napalm Death

In the extreme metal scene, there are still a few Artists. In my opinion, everything that the underground or mainstream sput out during the last decade, is at best merely a polished regurgitation of the innovative work a few bands have been doing since the mid-eighties. At worst, it is  a compost – a patchwork of incompatible styles, in a desperate attempt to create something new or to lure kids from different genres.

The main problem with the metal scene is that it cannot progress or innovate because it has become embedded inside the metal culture. This embeddedness at first allowed it to develop, because metal fans and musicians helped each other, providing both moral and financial support through good and bad times. Thoughout the years, an international metal community has developed, which both supports itself and is the womb for new metal artists. However, to use Grabher’s (1993) words, sometimes ties that bind become ties that blind.  Let me explain myself.

Metal musicians in the 80s or early 90s, even though they played metal, their influences where rarely other metal bands. Most metal musicians were listening to rock, punk, pop, classical music, disco and so on. That is why everything that was coming out back then was innovative and interesting. All these artists liked heavy metal, but were raised listening to sex pistols, stiff little fingers, clash, ABBA, depeche mode, eloy, uriah heep, and so on. Fans and musicians gradually built up this metal culture which undisputedly helped metal flourish. But the new metal bands which were raised inside this culture have been listening to metal. There is where it all went wrong! The ties that once helped the metal community prosper, now have led it to a stalemate of imitation and incest.

However, as I said in the beginning, there are still a few Artists out there. This post is really about Napalm Death’s new huge achievement. Even though my favourite band is Dismember, I consider Napalm Death the best band in the world for many years now. I remember myself reading an interview of Barney (the singer of ND)  in 1999, just before the release of their “Enemy..” album. I remember him saying that they have raised the standards a lot and that they want to release an album without the tinniest flaw. That they want the new album to be perfect in all aspects. It was! And every subsequent album was perfect. Until now. The new album is SO perfect that words cannot describe! Most important for me is that they perfectly balance the elements from their post-2000 style, with the equally excellent mid- to late-nineties style. Emburry’s and Harris’s songwritting is on fire. Herrera is also on fire, writting some huge tempos for the songs. Barney has once more written some of the most awesome lyrics ever. This is what art is. You take a boring subject, or even offensive to some like marriage and you bring out an aspect that neutralises it and makes you think, “Yes, if people were thinking this way everything would make sense!”. And it is poetry. Unique combinations of the most suitable words to depict something. “Diktat” is certainly my favourite track lyricwise. Embury and Harris have written some awesome lyrics as well.

Blabbermouth (here is the review) gave it a 9.5/10 and Chronicles of Chaos (here) a 10/10. It is one of the few times I almost agree with a zine’s reviews. Especially Blabbermouth’s review is pretty nice. What usually pisses me off, is not when people have an opinion on the music of the album, but when they make normative statements about what SHOULD be done! They have the nerve of telling artists what they would like to see changed! And the most disturbing is that these people doing the reviews have this idea that they are democratically elected to speak for all the fans! The person from Chronicles… suggests that elements which bring back memories of the mid 90s Napalm Death style, would be better if they did not exist! I LIKE THESE ELEMENTS! When I listened to “Fallacy Dominion”, “Procrastination…”, or “Larceny…” my ears fell off from the excitement! Who are you to say what they should or should not do?

For many years I say that the next ND album will show signs of weakness. Each single time I’m proven wrong. Once again Napalm Death’s album will overshadow everything that will see the light of day in 2009. Death Breath is expected to release a new album as well and I really look forward to it (Nicke Andersson + Scott Carlsson = Certain Masterpiece). The same goes for Suffocation. And all of them have very different styles. So I hope that we will enjoy one masterpiece from each style: British Grindcore-death, Swedish death, American brutal death.

“to have and to hold  for all eternity”

limitations and ambitions, are a pretext to falling short

We’re doomed, marooned and two fatalities,

anomalies in whispered circles, for pledges we could never hope to fulfil.

But if it works for you,

then it works because of you,

not a diktat from a guild, for who love is servitude.

Castigate or deprecate, they want heads hung in shame,

when a union runs its course,

for pledges we could never hope to fulfill.

Irrepressible, irresponsible…

Love is the wild-eyed antidote to cold imperatives

Love is the wild-eyed antidote to cold imperatives

love is, like the last day you ‘ll ever live.